![]() Good magic has a high degree of interaction and engagement with your spectators. If you haven't practiced these things, your mind will be working over-time, trying to remember what to say and do. Also, you need to know exactly what you are going to say. You need to be able to do the moves and techniques required without thinking about them. A successful and polished performer is exactly that: well polished. But you can be sure that very little about what you're seeing is being spontaneously ad-libbed on the spur of the moment. A professional going through his routine might look casual and natural. More importantly, it's not very likely to amaze or astonish, because your performance will be lacking. Do practice, practice, practice A poorly practiced routine does the art of magic a disservice. You can always work on building up your sleight of hand later.Ĥ. Then you can really focus on the presentation, and make them thoroughly entertaining. Learn tricks that don't require complex manipulation. Don't make the mistake of thinking that self-working means weak or boring! Some of the most famous card tricks in the world are self-working, such as Paul Curry's oustanding "Out of This World". Do focus on simple and self-working tricks One of the best ways that newcomers to magic can work on their presentation is by starting with simple tricks, such as self-working card tricks. Well chosen words will greatly help your magic be more entertaining.ģ. Give them careful thought, so that they help disguise the method and enhance the effect. Even if you don't go quite that far, it is important to realize how big a role the words that accompany a magic trick are. Many magicians will even recommend writing down a script for everything you say, memorizing and rehearsing it. So it is important to practice your patter just as much as you practice your moves and sleight of hand. What you say (in magician speak we call this "patter") is just as important as what you do. Do say something when you perform Some magicians can get away with silent acts, but for most of us, our voice is another prop that we'll want to make good use of in the course of a magic trick. Good examples are Strong Magic and Designing Miracles by Darwin Ortiz.Ģ. You you already have some magic experience under your belt, and know a good range of tricks? Then do yourself a favour by reading some books on the subject of showmanship and magic design. Never forget that magic is an art-form that has the goal of entertaining, and that's why good showmanship is essential. In addition you need to be able to present it in a way that is interesting and engaging to watch. Learning the techniques and moves required to do a particular effect is just the first step to successfully performing it. Do realize that your presentation is as important as your moves In fact, good presentation probably even more important than technique - important as that is! Magic isn’t about creating a sophisticated puzzle, or challenging your spectator with a mere impossibility. Hopefully they'll also serve as a useful refresher for old-timers, and a reminder of what is really important about magic!ġ. Besides this basic rule, what other tips and guidelines would you give a newcomer to magic, to help them improve? Here are 10 suggestions to get new magicians started. When you have a love for the art of magic, you will want to nurture serious students of magic, and encourage and assist fellow magicians!īut this ethical guideline is common knowledge, and is geared to protect the art of magic more generally, and to ensure that your own magic amazes. Now that shouldn't stop you sharing secrets with someone genuinely interested in performing magic. Did you tell someone the secret behind a trick you've just performed? You're actually hurting your magic, and you've stripped it of the ability to surprise and entertain. Why? Because by giving away the method of a trick, you're taking away the very thing that makes magic astonishing and amazing: the unknown. Sometimes referred to as "the magician's code", it's a well-known rule that as a magician you should never reveal your secrets. To begin with, it is important that budding magicians are familiar with some of the ethics of magic. But what advice and guidance should I be giving them more generally? I'm already getting them connected with good resources that teach them how to perform tricks. Lately I've been spending a lot of time around young teenagers and kids learning magic for the very first time.
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